There is a “moral panic” that Keysha Whitaker highlights in “Latin Female Artist draws criticism for Times Square Mural” brewing on the streets of Times Square where Sofia Maldonado, a young Puerto Rican-Cuban woman, is under fire for creating a mural that for many embodies the sins of rap videos . . . big booty black women . . . exotic looking Latina women . . . crouch mesmerizing poses . . . and at the end of the day “un-respectable” images of black and brown women. One incensed passerby said the mural harkens back to a time when 42th Street was a “red light” district . . . a place where prostitution . . . drugs . . . and un-catholic like debauchery reign supreme. People are mad not ordinary mad, but “witch-hunt” mad. Men of color are mad not ordinary mad, but I need to protect “my woman” mad. But the question is: why? Why are they mad? Why are they Mad Men?
And all that I can think of to answer this question is that these images are not “respectable” images. They do not paint black and brown women are Supreme Court Judges—Sonia Sotomayor—or as First Ladies—Michelle Obama—or as multi-billionaires—Oprah—or as activist— Linda Chavez-Thompson—or as writers—Sandra Cisneros. Nope . . . as one mural viewer said, “They look like prostitutes.” And in response to this I say [silent drum roll], why not sex workers? Why not a mural honoring sex workers during Women’s Her-story Month? Of course, this is not to say that the mural showcase sex workers, but the way in which people are talking about the images of the mural gives substance to the claim that people see the images as such.