This past week I had the opportunity to attend two great events on the south side. A showing of the Kartemquin film, The Interrupters, and an all day event dedicated to youth activism past and present, which included a showing of The Black Power Mixtape 1967-1975. Both events were well attended by both community members and college kids, which made for some much needed face time as well as discourse. While the different participants came to both events to see the same presentation, it became clear in the aftermath that they came for different reasons and with prior assumptions in mind. It also became quite clear that some points regarding trust in the Black community hold so true for individuals that open discourse isn’t enough.
Specifically, I was struck by The Interrupters film itself and the cease fire strategy, which utilizes trust building as an integral role. As presented in the film, many of the interrupters are former street organization members and affiliates who have served time on the streets and behind bars. This grimmer past seemed to serve as motivation for the interrupters work and an identification point with those being interrupted. Again, trust becomes more than a desire but a bare minimum when acting in such a high stakes situation of gun violence.