“Why don’t you hand in papers in Ebonics since that is how you talk?”
I remember someone asking me this in my early days of grad school. I then explained that, as a student, it was my job to perform particular scholastic duties – including showing a mastery of the traditional APA, MLA, and Chicago Turabian styles of writing.
However, I told him that I use my native tongue – manifested from my years in Oakland, Calif, raised on the music of E-40, Keak Da Sneak and Tony! Toni! Toné!, and on the slang stylings of radio DJs like KMEL’s Chuy Gomez and Sway – in the classroom when I speak because I have no problem being who I am in that space.
But his question made me think about the ways that our use of regional tongues of Black Vernacular English (sometimes referred to as African-American Vernacular English, AAVE, or BVE) is often judged unnecessarily. Not only that, our decisions to use them in particular settings rather than others is often questioned as inauthenticity.