Nate Parker’s future appeared to be whatever he wanted it to be. He’s become a respected actor who was about to break into the next phase of his career as a director and producer of the highly-publicized film “The Birth of A Nation” that shocked audiences at Sundance and was quickly bought up by a major distributor. Then an ugly part of his past became public and raised major doubts about him and his project.
In a time where we need more feminism, more justice, and more radical change for the future, a biopic around the life of Angela Davis couldn’t be more timely. Davis will be working with Codeblack Films to develop “Angela Davis: An Autobiography” into the biopic about her life.
Netflix and Marvel are running a victory lap side-by-side after all of the success their co-productions. Both seasons of Daredevil have been widely successful, as has the first season of Jessica Jones. Next up in the lineup is Luke Cage, which will premiere on Sept. 30, starring Mike Colter.
An initial teaser showed Luke putting the abilities he was given as the world’s first bullet-proof black man to the test with ODB playing in the background. Today, Netflix released a full trailer that’s even better than the first one.
Ava Duvernay’s documentary, The 13th, will be the opening film at the New York Film Festival’s (NYFF) 54th Festival. It’s the first non-fiction film to open the event in the NYFF’s history; if you haven’t already, let us toast to Duvernay’s #BlackGirlMagic. I want to take it a step further though, I want to uplift Duvernay’s message.
The documentary is appropriately titled to address the ironies between the 13th Amendment that simultaneously “abolished” slavery and also created mass incarceration over time.
The senseless murders of Alton Sterling and Philando Castile this week have drawn increased attention to the ways that police officers interact with people of color, specifically Black men. This video from StoryCorps highlights the ways that popular ideas about being “post-racial” or not “seeing” race at all don’t actually fix these issues. Instead, it leaves Black people especially vulnerable to police brutality.
Black women in the limelight are not only scrutinzed by onlookers and consumers. They are often devalued, hypersexualized, and fetishized in ways that render them mere objects.
Say baby… can I be your slave?
If that line just sent you down a nostalgic trip of bliss, we’ve got some good news for you. Love Jones, the cult-classic romance film starring Larenz Tate as Darius Lovehall and Nia Long as Nina Mosley, is getting a musical.
Nina, the film that stars Zoe Saldana as Nina Simone, had a long, hard journey to making it to the big screen. It initially went from office to office and couldn’t pin a lead actress until Saldana joined on. But when the trailer was released, it was the target of a multitude of negative criticisms concerning Saldana being chosen, the use of darker makeup and a prosthetic nose and more.
Now that the film has been released after a five year process, Saldana, who stars in the upcoming Star Trek Beyond film, opened up about her feelings on the criticisms of her racial identity and whether or not she should have portrayed Simone in a cover story with Allure.
It is very clear that the entertainment industry has an issue with race and racial representation across genres. Actors Kerry Washington (Scandal) and Aziz Ansari (Master of None) sat down for the fourth season of PBS SoCal’s and Variety’s Actors on Actors team to discuss how the lack of diversity of voices, writers, and talent in the television and film industries affects their careers.
You know who is tired of “slave movies”? Snoop Dogg. He even made a video to complain about them.