I wrote this blog literally a year ago today. It was not a published blog because the Black Youth Project had yet to premier online. Well, I think my thoughts a year ago still resonate today as we honor Michael Jackson’s memory. The title of the blog is, “The Feasting of Michael Jackson’s Flesh: How Do We Honor the Dead?”
I am deeply troubled by the buffoonery of the 2009 Black Entertainment Television Award Show where “blackness” guaranteed BET’s ownership of honoring Michael J. Jackson’s life. Of course, there is an endless laundry list of technical, sexist, homophobic, and simply tone death performances that I could blog about. However, the most compelling issue for me is that we witnessed consumption at “it’s finest” where Jamie Foxx unabashedly highlighted his many upcoming projects and the beauty of his voice, where every five seconds large digital placards of sponsorship appeared before our eyes beseeching us to buy their wares, where Joe Jackson plugs the revival of his singing career, where the infamous golden arches tell our children that they should dream of working at McDonald’s when they “become big kids,” and where we the viewing public further the cannibalization process of Michael Jackson by not turning our televisions off in righteous indignation because consciously or unconsciously we enjoy the thrill of consuming flesh . . . the gossip, the speculations, the betrayals, the “sins,” and yes “if it bleeds then it leads” or in the case of the BET Award Show if it stereotypes black people then it sales.
This only shows that we do not know how to honor our dead. We only know how to consume them and extract the last bit of value from their dead flesh. With Michael Jackson’s death, future record deals will be made from sampling his catalogue, cottage t-shirts industries on each street corner beckoning people to remember Michael through purchasing a t-shirt, increased Itunes downloads of Michael Jackson’s work, juicy gossip to make the workday bearable, legal rangles on CNN about the authenticity of Michael Jackson’s will, biased scholarly debates on Michael’s masculinity, psychological fragility, and his love of children. Of course, I too am guilty of participating in feasting upon his flesh, after hearing the official announcement that he was dead, I raced to Itunes and bought one of his greatest hits albums so that I could remember and honor him.
But does buying an album and then privately consuming the purchase constitute honoring the dead?
Of course, all of this is not to say that consumption in of itself is bad because we need to consume various things to live, however, when consumption becomes the end in of itself and when it is not intimately connected to the idea of mutual replenishment than it becomes capitalism where I take more from you and there is no guarantee that I will give you anything in return unless it too benefits me. Did anyone else notice that not one of Michael Jackson’s songs that deal with accountability (i.e. the Man in the Mirror), building a peaceful global community (i.e. We Are the World and Heal the World), environmental justice (i.e. Earth Song), critique of globalization/policing (i.e. They Don’t Care About Us), ending global racism (i.e. Black or White) justice and safety of children (i.e. Little Susie/Pie Jesu and Childhood), and the need to be connected to each other (i.e. Will You Be There and Stranger in Moscow) showed up on last night’s BET Awards show? Why not? Because these songs are Jackson’s kryptonite critiques on consumption behaviors. And BET decided that that’s not what interests his fans, especially his young fans like those of us who are 20something like myself. But I disagree. Yeah, there was Ciara’s song Heal the World, but my ears don’t allow me to count her rendition. (But that’s another story.)
Hey, I am not saying that Jackson’s pop and romantic tunes should not be celebrated because they should. But something is wrong when not one ballad about healing, community, connectedness, and environmental responsibility was featured in any public or pronounced manner. That omission says something about where we are as a society. Certainly reminds us that the Black Entertainment Television channel cares more about black consumption than black legacy.
Someone special told me recently that the way you honor your parents or mentors is not by submitting to their authority or legacy, but by choosing to live your life seeking your purpose so that if your parents or mentors had to choose to live their life over they would choose to live your life because your purpose is enriching the world.
Here’s how musical legend Michael Jackson would have been remembered last night if I were producer of the BET Award Show. I would have ended the show featuring global cultural workers who enrich the world followed by a musical medley of Man in the Mirror, Heal the World, Will You Be There, and Earth Song set against the video depictions of current political events—political protests in Iran, rape in the Congo, foreclosed houses in the US, fighting in Israel, and Hurricane Katrina—and environmental concerns—erosion of beaches, global warming, pandemics and epidemics of all kinds. All of which was to remind the audience that Michael Jackson cared deeply about people and the current state of the world. Thus, we honor him not only by remembering his soulful music—Billie Jean, Thriller, and so forth—but by choosing to live our lives dedicated to the service of humanity, a life that if Michael Jackson had to live his life over he would choose our interpretation of his best vision. That’s what I think should have been done last night. Or something like that. Anything but how BET and last night’s performers chose to remember Michael last night.
I guess it gets down to this: Can we expect people who live in a consumeristic culture to know how to honor the dead when they don’t even know how to honor the living –without consuming them alive?