By Law Ware
It should have worked.
In theory, a film about a city on edge that erupts into violence because of police brutality should inspire conversations and think pieces about how little things have changed in the 50 years since the incident being represented.
We could be discussing how the film shows the historical seeds of contemporary Detroit’s faltering public school system and city infrastructure. We should be discussing black victims of police violence. Instead, we have a film that caters to white viewers while it treats black pain as if it were torture porn, which some are calling the most irresponsible and dangerous movie of the year.