WHY EVERYBODY HATES DRAKE, and Why They're Wrong…

Drake is clearly the most divisive figure in Hip Hop today.

And I’m trying to figure out why.

Now the easy answer is folks just ain’t feeling his music. But I’m not convinced. I know so many Hip Hop fans that really just don’t like Drake. By that I mean the very idea of Drake. Half white. Canadian. Middle class. Kinda clean-cut. Child actor. Always crooning. And pouting. And emo and shit. He’s almost the exact opposite of what our concept of an emcee has always been.

And that’s what’s so interesting about him. Like it or not, he’s breaking the mold. And he’s winning.

So don’t fight the feeling. And get comfortable.

Because Drake is coming into his own; and he’s about to go to the next level.

And here’s why…

Is It Ever OK For White People To Say NIGGER?

In an article released last week for Time Magazine, writer Touré asserts that it’s not OK for white people to use the word nigger (or its crazy cousin, nigga).

Well…he does list some exceptions.

According to Touré, white people can say nigger if they are:

1. Reporting on, commenting on, or writing some kind of think piece involving the word nigger.

 Or

 2. Using the word as part of a play, film, song, piece of visual art or stand-up comedy routine.

Is that alright with you?

Are Black People Willing To Call Eminem The Greatest Rapper Of All Time?

As a Black person, are you afraid to call Eminem the greatest rapper of all time?

Or perhaps just unwilling.

Me? I’m not so sure.

I don’t think I’m opposed to Slim Shady being the GOAT; he’s just not my choice. Despite what many might assume from some of my prior articles (like this one or that one), Jay-Z has always gotten my vote as the greatest rapper of all time.

But I would never exclude Eminem from the conversation entirely.

Others…not so much.

MUSICNEWS: Ice-T Doesn't Like Hip-POP, Record Execs Trafficking COCAINE, and Rihanna's New Album

Gangster-Rap-Godfather Ice-T is really unhappy with the mainstreaming of Hip Hop. And outside the premier of his new documentary “Planet Rock: The Story of Hip Hop and the Crack Generation,” HE WENT IN.

On Rick Ross:

He thinks he’s [Freeway] Rick Ross, he thinks he’s Larry Hoover, he thinks he’s Big Meech, he thinks he’s MC Hammer, he thinks he’s Tupac. Like, who the f*ck are you really, dude?”

 

On Lil Wayne and Hip Hop Going Pop:

“Rap was a counterculture that went against pop. But when you have Rihanna singin’ on your records and you’re doin’ records with Katy Perry, that’s no longer rap. It’s pop music, pop using rap delivery. When you hear Lil Wayne sayin’ ‘I got a chopper in the car,’ you go, ‘Yeah, right you do.‘”

Dayum.

Why You Should Be Taking Tyler, the Creator and Kreayshawn Seriously

Last Saturday night, Kreayshawn and the White Girl Mob played a sold-out gig in Hollywood. And according to Spin Magazine, it was an insane show.

“…the audience rushed the stage where they proceeded to completely freak out — bouncing, stripping, cooking, and flipping into the crowd — until the music was done and they were forced bodily from the limelight by the venue’s security. It was intensely electric.”

The next day, she hit the VMAs, where she was nominated (and a favorite) for the Best New Artist Award. She lost to like-minded and equally controversial Tyler, the Creator. Like Kreayshawn, Tyler and Odd Future rose to prominence through YouTube, blogs and social media, don’t fit in any radio format, and have sharply divided critics and fans.

A lot of people aren’t taking Kreayshawn and Odd Future seriously. And that’s understandable. When something comes along that is so alien to mainstream standards and tastes, it always gets dismissed.

But don’t be fooled. Their success is organic and real; not some record label’s scheme. The rise of artists like Odd Future and Kreayshawn (as well as Lil B and Waka Flocka Flame) is subversive to Hip Hop’s status quo. And it might end up being a big deal.

Tha Carter IV, And Why LIL WAYNE vs. JAY-Z Needs To Happen…

So Lil Wayne’s highly anticipated (and routinely delayed) Tha Carter IV leaked onto the internets earlier this week. And it’s pretty damn good. But thus far, all anyone can talk about is that Jay-Z diss.

Confused? Well, it all started in a 2009 interview where Birdman declared that Lil Wayne is a better rapper than Jay-Z because he “do the most and make the most money.” Perhaps you’ll recall Jigga’s response earlier this year on the song “H.A.M.”:

“Like these rappers rap about all the shit that I do daily/I’m like really, half a billi, nigga, really you got Baby money/ Keep it real with niggas, niggas ain’t got my lady money.”

Clearly, Wayne was not impressed with Jay’s not-so-sublte double entrendre. And that brings us to C4’s most controversial track, “It’s Good.” “It’s Good” is essentially a traditional, solid slab of hardcore Hip Hop, opening with a flawless verse from Jadakiss. Drake does his best to keep up before Wayne hits the ground running with a closing verse.

Then he says this:

“Talkin’ bout baby money?/I got your baby money/Kidnap your bitch, get that ‘how much you love your lady’ money”

This is a clear and direct jab at Jay-Z (and Beyonce, technically haha).

Commercial Break: Athlete Slash Musician

It seems I’ve been more polemical than usual these last few weeks. So how about something completely worthless and asinine–ok, more worthless and asinine than what I usually post here–this Monday? Because, frankly, all I have to say about The Help‘s (and The Smurfs’) continued box office success this weekend is: Effing really (God bless the interrobang.)

Anyway, in case you missed it, the NFL lockout ended, and I’m using the breaks from dissertating to prepare for the upcoming fantasy football season. I’m ready to defend last year’s title (and take that money); I’ve also started a women’s fantasy football league (because that’s why feminists burned their bras in the 70s). In an effort to find enough women to participate, the homie, Liz and I Twitter-stalked ESPN’s Jemele Hill trying to get her to take one of our slots. Despite the hilarity of our tweets to her, she eventually declined due to schedule (or so she says #notbitter). One of tweets I sent her was a mash-up of the New York Jet, Bart Scott’s now hilariously infamous post-game interview and Nu Shooz 80s hit, “I Can’t Wait.” My foray into technological prowess combined with Deion “Must be the Money Sanders’ induction into the NFL Hall of Fame a few weeks ago got me thinking about athletes and their musical careers. And so, instead of the scathing pop culture criticism you’ve grown used to, I present:

THE WEEKND Continues To Astound With New Mixtape "THURSDAY"

Our prayers were answered yesterday, people.

Last night, Toronto-based R&B mystery man The Weeknd unleashed his brand new mixtape Thursday.  You can follow the link below to snag the free download.

Things have changed drastically for The Weeknd (real name Abel Tesfaye) since the release of his first tape House Of Balloons earlier this year. For one thing, there was absolutely no pressure. But since then, House of Balloons has been the most positively-reviewed album of the year thus far. Tesfaye now releases his follow-up to an audience hungry for another dose of a dark, haunted and debauched majesty that we now come to expect (i.e. demand) from The Weeknd.

And our hero does not disappoint.

On Not Seeing 'The Help'

I did not see The Help this weekend; I also did not read the book. Since I both read and saw The Secret Life of Bees a couple of years ago and am conversationally familiar with The Blind Side, I figured I had earned enough credit to sit this one out. Call it a mental health decision.