There are still big wigs in Hollywood who feel that casting anyone other than white people in films is a gamble. So the past year must have been a real shocker for them. Luke Cage broke Netflix. Girls Trip is still receiving rave reviews and killing the box office. Now, Get Out is proven to be the most profitable film of 2017 so far.
By Sherronda Brown
Amy Schumer is racist, and white women love her. The White Feminist icon’s most recent public display of Beckery is yet another demonstration of the sexual racism she so often falls back into, using racist stereotypes benefitting her white womanhood while decrying the sexual proclivities of men of color.
Two weeks ago, when asked about past instances of her own rude behavior in the bedroom in an interview with Andy Cohen on Watch What Happens: Live, Schumer answered: “A guy had an uncircumcised penis and it was too big and I just was like ‘Peace!’ Like, I got out. I got right out of there. I was like, ‘I’m not going to be deformed because I had sex with you once.’ That’s what the movie Get Out should have been about.”
SPOILERS AHEAD! Don’t @ me.
Over the weekend, Jordan Peele’s thriller Get Out scared audiences all over the nation with that age old American horror: anti-Black racism. The premise is simple enough: a white girl, Rose, brings home her Black boyfriend, Chris, to meet her parents in a wealthy, white suburb in upstate New York.
Jordan Peele, a comedian most notably known for his half of the famous sketch show, Key and Peele, has apparently always had an interest in horror films. So he went ahead and shocked us all by making one and it looks really, really good.