I taught my black kids that their elite upbringing would protect them from discrimination. I was wrong.
The following piece is from the Washington Post. It was written by Lawrence Otis Graham.
By: Lawrence Otis Graham
I knew the day would come, but I didn’t know how it would happen, where I would be, or how I would respond. It is the moment that every black parent fears: the day their child is called a nigger.
My wife and I, both African Americans, constitute one of those Type A couples with Ivy League undergraduate and graduate degrees who, for many years, believed that if we worked hard and maintained great jobs, we could insulate our children from the blatant manifestations of bigotry that we experienced as children in the 1960s and ’70s.
We divided our lives between a house in a liberal New York suburb and an apartment on Park Avenue, sent our three kids to a diverse New York City private school, and outfitted them with the accoutrements of success: preppy clothes, perfect diction and that air of quiet graciousness. We convinced ourselves that the economic privilege we bestowed on them could buffer these adolescents against what so many black and Latino children face while living in mostly white settings: being profiled by neighbors, followed in stores and stopped by police simply because their race makes them suspect.
But it happened nevertheless in July, when I was 100 miles away.
It was a Tuesday afternoon when my 15-year-old son called from his academic summer program at a leafy New England boarding school and told me that as he was walking across campus, a gray Acura with a broken rear taillight pulled up beside him. Two men leaned out of the car and glared at him.
“Are you the only nigger at Mellon Academy*?” one shouted.
Certain that he had not heard them correctly, my son moved closer to the curb, and asked politely, “I’m sorry; I didn’t hear you.”
But he had heard correctly. And this time the man spoke more clearly. “Only … nigger,” he said with added emphasis.
My son froze. He dropped his backpack in alarm and stepped back from the idling car. The men honked the horn loudly and drove off, their laughter echoing behind them.
By the time he recounted his experience a few minutes later, my son was back in his dorm room, ensconced on the third floor of a red-brick fortress. He tried to grasp the meaning of the story as he told it: why the men chose to stop him, why they did it in broad daylight, why they were so calm and deliberate. “Why would they do that — to me?” he whispered breathlessly into the phone. “Dad, they don’t know me. And they weren’t acting drunk. It’s just 3:30 in the afternoon. They could see me, and I could see them!”
My son rambled on, describing the car and the men, asking questions that I couldn’t completely answer. One very clear and cogent query was why, in Connecticut in 2014, grown men would target a student who wasn’t bothering them to harass in broad daylight. The men intended to be menacing. “They got so close — like they were trying to ask directions. … They were definitely trying to scare me,” he said.
“Are you okay?” I interrupted. “Are you —”
“Yeah,” he continued anxiously. “I’m okay. I guess. … Do you think they saw which dorm I went back to? Maybe I shouldn’t have told my roommate. Should I stay in my dorm and not go to the library tonight?”
Despite his reluctance, I insisted that he report the incident to the school. His chief concern was not wanting the white students and administrators to think of him as being special, different, or “racial.” That was his word. “If the other kids around here find out that I was called a nigger, and that I complained about it,” my son pleaded, “then they will call me ‘racial,’ and will be thinking about race every time they see me. I can’t have that.” For the next four weeks of the summer program, my son remained leery of cars that slowed in his proximity (he’s still leery today). He avoided sidewalks, choosing instead to walk on campus lawns. And he worried continually about being perceived as racially odd or different.
Herein lay the difference between my son’s black childhood and my own. Not only was I assaulted by the n-word so much earlier in life — at age 7, while visiting relatives in Memphis — but I also had many other experiences that differentiated my life from the lives of my white childhood friends. There was no way that they would “forget” that I was different. The times, in fact, dictated that they should not forget; our situation would be unavoidably “racial.”
When my family moved into our home in an all-white neighborhood in suburban New York in December 1967, at the height of the black-power movement and the Rev. Martin Luther King Jr.’s civil-rights marches, integration did not — at all — mean assimilation. So my small Afro, the three African dashiki-style shirts that I wore to school every other week, and the Southern-style deep-fried chicken and watermelon slices that my Southern-born mother placed lovingly in my school lunchbox all elicited surprise and questions from the white kids who regarded me suspiciously as they walked to school or sat with me in the cafeteria. After all, in the 1960s, it was an “event” — and generally not a trouble-free one — when a black family integrated a white neighborhood. Our welcome was nothing like the comically naive portrayal carried off by Sidney Poitier and his white fiancee’s liberal family members in the film “Guess Who’s Coming to Dinner,” which had opened the very month that we moved in.
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Sadly, there is a population of ignorant Americans who refuse to evolve, embracing the human ignorance of our past that deprived peaceful, loving people from experiencing and fully enjoying their vision for L, L, and Happiness.
Sadly, I believe some racial ignorance is fueled by a significant population of nationally popular American recording artists who offer our society music performances embracing community and gun violence, drug abuse, disrespect for everyone under our sun, including themselves; as well as writing lyrics characterizing the maternal half of our population as less than human ^itches and ^hores unworthy of respect.
I grew up in the 60s-70s listening to beautiful music composed by American music artists of African descent who sang about peace, love and unity, as well as offering praise, love, admiration and respect for women. These artists conditioned *young me* to believe my music friends were peaceful caring people well deserving of my respect and admiration.
I’m not sure what messages today’s youngsters are receiving when listening to popular music performers offering angry, rude, nasty, anti-social music performances characterizing our moms, sisters, grandmas, daughter, aunts and nieces as less than human people unworthy of respect.
Peace.