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Linda Fairstein will always feel justified because there’s no accountability for the violence of white feminism

By Émelyne Museaux White women’s sovereignty has always been inextricably linked to the... more

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I want Black time travelers to be a threat to the status quo

We shouldn’t be surprised by Jay-Z’s NFL move. He’s always been a capitalist & this is what capitalism looks like

Between Black artists and Black love

Inland, a short story

Exclusive Interview: Black Queer Artist HAILES details her new EP and creating music during a pandemic

Beloved Black sitcoms and what we can learn from nostalgia

How the imagination of the ‘Lovecraft Country’ writer’s room failed us

Exclusive Interview: Hari Ziyad reveals the cover of their memoir

Talking to Black youth about the complexities of sexual racism after Wilder v Fury

Steve McQueen’s ‘Western Deep’ is a counter memory for Black miners during South African Apartheid

Reflecting on Patrick Chamoiseau’s ‘Slave Old Man’ and physical memories of the enslaved

We need to talk about the sexual racism in HBO’s ‘Watchmen’

Orlando Jones was fired from ‘American Gods’ because Black anger makes white people uncomfortable

Why must Black heroism in fiction be continuously made of our historical injury?

Watchmen, an homage to Black memory (loss)

Exploring the Black spectator’s relationship to film

‘Queen & Slim’ and what I (don’t) want from Black love stories

Black women are punished for prioritizing our mental health

These 2 films reveal the powerful ways Black queer women find pleasure despite heteronormative violence

The debate over whether we can enjoy Kanye West’s music is frustrating, but necessary

Black people don’t need to be “twice as good”: Unpacking the communal depression of watching Serena lose

Why Black LGBTQ+ people get upset when our most prominent people show up with white partners

Kaepernick isn’t the only reason working with the NFL is making a deal with the devil

Anti-Blackness knows no borders: How nation-centric understandings of Blackness fails us

‘Fast Color’ was snubbed by Hollywood’s white male gatekeepers because it doesn’t fit their worldview

‘How We Fight White Supremacy’ honors the many ways Black folks resist

Chris Rock’s ‘Saw’ will continue the relationship between comedy and horror

‘Mixed-ish’ and the anti-Black myth of post-racial insulated societies

‘A Million Little Things’ powerfully reflects the truth of many Black folk’s mental health struggle

Reflecting on GayL Jones’ ‘CoRregidora’ and its excavation of transgenerational traumas on the body

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