‘Get Out’ is 2017’s most profitable movie so far

There are still big wigs in Hollywood who feel that casting anyone other than white people in films is a gamble. So the past year must have been a real shocker for them. Luke Cage broke Netflix. Girls Trip is still receiving rave reviews and killing the box office. Now, Get Out is proven to be the most profitable film of 2017 so far. 

REVIEW: ‘Hidden Figures’ Amplifies Black Female Brilliance and Community

By: Imani J. Jackson

When a movie theatre packed with people of varied races, ethnicities, ages and genders erupts into simultaneous applause and cheers during a film’s closing credits, it’s safe to say the story resonated. That human happiness is exactly what manifested on Saturday when my mother, a grandmotherly elder, my younger sister and I attended a Hidden Figures showing.

Cinematically, Hidden Figures demonstrates creative power and how to sensitively wield it. Theodore Melfi directed the film and co-wrote the script with Allison Schroeder, which is based on the non-fiction book Hidden Figures by Margot Lee Shetterly.