It is true that the Movement for Black Lives is leaderless; it is also true that Deray McKesson has been dubbed the face of this same movement, and within his time as “The Face,” many people – including Black people – have come to critique his decisions. With his name most recently in the news for his endorsement of Hillary Clinton, we are given the gentle reminder that our community is not unified in its current demands and we cannot get caught up in the headlines that so often overshadow the work.
Earlier this year BYP100 released the Agenda to Build Black Futures, followed by A Vision For Black Lives policy platform that they signed on to this summer, both of which spread wide in the digital space. Last week BYP100 and the National Black Justice Coalition joined each other in Washington, D.C. to take both platforms from the digital space to the congressional space for the first Build Black Futures Advocacy Day. This was a huge step in the Movement, as members of congress on both sides of the aisle have struggled to understand the Movement and it’s asks of our government.
When I first read the code of conduct administered at Pretoria High School for Girls in South Africa, I was mortified. As a mother, with a daughter whose hair at 3 years old would be classified by some as “nappy”, all I could think was “How would I do her hair if this came home from her school?” The answer quickly revealed itself: I wouldn’t. I couldn’t.
On Thursday, Deputy Attorney General Sally Yates announced in a memo that, over time, the DOJ will end its contracts with private prison companies that operate 13 facilities within the Bureau of Prisons (BOP). While this is a significant move given the times we live in, these contracts, with Corrections Corporation of America and GEO Group Inc., only account for 7% of the industry’s revenue.
In a time where we need more feminism, more justice, and more radical change for the future, a biopic around the life of Angela Davis couldn’t be more timely. Davis will be working with Codeblack Films to develop “Angela Davis: An Autobiography” into the biopic about her life.
As we’ve seen through the influx of data and media coverage on Black boys, they often lose their innocence at the hands of someone else, someone who has stereotyped and criminalized their Blackness continuing the mindset that because they are Black, they don’t deserve innocence. And, while this won’t be changed overnight, Jennifer Pierre is taking the issue of Black boyhood into her own hands and is releasing a new line of dolls for boys of color called “Melanites.”
Ava Duvernay’s documentary, The 13th, will be the opening film at the New York Film Festival’s (NYFF) 54th Festival. It’s the first non-fiction film to open the event in the NYFF’s history; if you haven’t already, let us toast to Duvernay’s #BlackGirlMagic. I want to take it a step further though, I want to uplift Duvernay’s message.
The documentary is appropriately titled to address the ironies between the 13th Amendment that simultaneously “abolished” slavery and also created mass incarceration over time.
On July 5, the number on The Guardian’s police killings ticker The Counted went up. On July 6, it went up again. The Guardian, like many other news outlets, with genuine intentions has made the effort to look at the numerous surveys, polls, and research behind racial disparities in policing in the country. My question is: who does the data usually benefit? Even more importantly: what is being done about it?
What happens when activism becomes cool? Profitable? In a world driven by consumerism it seems almost necessary to integrate something like Black Liberation into the culture – as something that can be accessed, understood, bought, and enjoyed by most- to create sustainable change.
2016 is already looking like it will be a progressive year for all. The latest news brings attention to the always-apparent, never-addressed gender pay gap in the United States.